[5], The group lacked a Roland TR-808 drum machine they could use but found one advertised in The Village Voice—"Man with drum machine, 20 dollars a session. "[11] Wolfgang Flür responded that "[t]hey didn't even ask in the first place whether Kraftwerk was in agreement ... the company that had released the single, Tommy Boy Records, had to fork out a lot of money after the event, but they just increased the price of the single [...] and recouped their fine. "Planet Rock" later was released on the album titled Planet Rock: The Album in 1986. If you read a book and you copy something out of it, you do it like a scientist, you have to quote where you took it from, what is the source of it. [20][21] The lyrics of "Planet Rock" celebrated the ability of music to take listeners to the past and the future while encouraging them to enjoy the present. Baker and Bambaataa had worked together previously on the song "Jazzy Sensation," and decided to compose a more electronic based version of the hip hop song, as opposed to the more disco-oriented work popular at the time. [5] The liner notes to Planet Rock: The Album state the release was in April 1982. "[38] The NME placed "Planet Rock" at 16th on their 1982 best of the year ranking. Intergalactic was on the eighth floor of this building, and on the day of the session the elevator wasn't working. Afrika Bambaataa, who, together with Arthur Baker, a DJ from Boston, created an electrofunk which was similar to techno, was into the same things as Atkins. [5] Sources vary on the release date of "Planet Rock". Listen to both songs on WhoSampled, the ultimate database of sampled music, cover songs and remixes. [10] Baker later commented that if he could change anything in the song it would have been that verse. [16] Describing the song's sound as "electro funk",[20] Bambaataa said his idea for the song's sound was for it to be electronic but with "a lot of funk and heavy bass". [6] Robie later recalled on their work together as an "unlikely mix of talents was as much of a phenomenon as their record itself. [33][34] Ron Wynn of AllMusic felt the remixes were unsuccessful, noting that "Planet Rock"'s "hook was old-school, as was its charm. [23] In an interview with Billboard, Baker said: "Ninety percent of the people [I] asked wanted to buy it right away." Kraftwerk's Florian Schneider 1947 – 2020: the NME obituary “With Planet Rock, in beginning we were very angry, because they didn’t credit the authors, — explains Karl Bartos. Sublime Played Their Most Powerful Song at Their Final Performance, Kendrick Lamar’s Pulitzer Win: Overcoming the Uptown/Downtown Divide, The Ballad(s) of Justin and Britney, Vol. The new musical style on the song later became known as electro. "[5] Jay Burnett, who engineered the song, performed the "rock rock to the planet rock, don't stop" vocal. [30][32], On May 5, 1992, a remix Extended play (EP) was released by the group on Tommy Boy, which featured remixes by Karl Bartos, 808 State, DJ Magic Mike and LFO. Attempts to get a full-length album for Bambaataa were not possible with Tommy Boy initially as Silverman's contract with him was strictly for singles and re-negotiating it proved difficult. "[45] In the United Kingdom, DJ Gerald Simpson (A Guy Called Gerald) said that going out dancing he started to hear "electro-ey stuff – "Planet Rock" and Newcleus, that kind of vibe. The studio's equipment included a Neve console, Studer 24–track tape machine and Urei monitors, a Lexicon PCM41 digital delay, Sony reverb and a Fairlight CMI digital synthesizer. What we do now with just a few strokes of the keyboard. If so, one of the inscribed languages is … [10] The group had previously recorded "Jazzy Sensation" at the same studio. [41], Robert Palmer of The New York Times called "Planet Rock" "perhaps the most influential black pop record of 1982", noting its influence on "both the black pop mainstream and several leading white new-wave rockers". This led to him discovering music by Kraftwerk, Yellow Magic Orchestra and Gary Numan. "[11] The rappers wanted to perform something closer to "Jazzy Sensation" and other tracks that were on the R&B charts. The song was produced by Arthur Baker and released by Tommy Boy Records in 1982. One person even offered him $200 for his acetate copy. [1] The unused melody would end up being used on "Play At Your Own Risk" by Planet Patrol. [1], Afrika Bambaataa had worked as a disc jockey in the mid-1970s working block parties in the south east Bronx. [...] I tried to create what a DJ would do with records. Afrika Bambaataa And Kraftwerk Land On Planet Rock Watch the Zulu Nation potentate, his Soulsonic Force and loads of b-boys and girls explode into space. But by the time he did that, the record was so hot, people just went for it. Of course, I was listening to a lot of Yellow Magic Orchestra and Gary Numan, as well as Dick Hyman’s Moog sound, and music from John Carpenter’s Halloween. "[44] Before hearing "Planet Rock", Cosmo D of Newcleus who had recorded songs such as "Jam On's Revenge" and "Computer Age (Push the Button)"[45] said after completing the track "Computer Age (Push the Button)" that he "started hearing this shit on the air, 'Planet Rock'. "[51] John Bush, a writer for the AllMusic database praised the song, declaring that "no single encapsulates the electro era quite like Planet Rock," while finding that "[t]he rapping, though not up to later standards, does make an improvement on the rather lame rhymes and lack of rhythm from the first few rap singles to hit the market. And in fact this happened. [6][7][8] Robie detested disco music, believing musicians did not have to have talent to make it, declaring "you had people playing to metronomes, everyone sounding the same, and lyrics that were nonsensical and generally infantile. No one knew that techno of this time wasn’t the last metamorphosis of the style; techno as a genre branch was shaped only in the late 1980s and it was at the junction of electrostatic disco, synthpop and boogie. And I hear this shit, and I said, 'If that shit is a hit, I know "Computer Age" is a hit'. 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